The Beatles’ rooftop concert
The Beatles’ rooftop concert


51°30′37.5″N 0°08′23.0″W / 51.510417°N 0.139722°W / 51.510417; -0.139722

On 30 January 1969, The Beatles carried out an unannounced live performance from the rooftop of their Apple Corps headquarters at 3 Savile Row, inside central London’s workplace and vogue district. Joined by keyboardist Billy Preston, the band performed a 42-minute set earlier than the Metropolitan Police requested them to scale back the amount. It was the ultimate public efficiency of their profession.

Though the live performance was conceived simply days earlier than, The Beatles have been planning a return to reside performances all through the early classes for his or her album Let It Be (1970). They carried out 9 takes of 5 songs as crowds of onlookers, lots of whom have been on their lunch break, congregated within the streets and on the roofs of native buildings. The live performance ended with the conclusion of “Get Again”, with John Lennon joking, “I might prefer to say thanks on behalf of the group and ourselves and I hope we have handed the audition.”[2]

Footage from the efficiency was used within the 1970 documentary movie Let It Be and the 2021 documentary collection The Beatles: Get Again. The primary efficiency of “I’ve Bought a Feeling” and single takes of “One After 909” and “Dig a Pony” have been additionally featured on the accompanying album. On 28 January 2022, the audio of the total rooftop efficiency was launched to streaming providers underneath the title Get Again — The Rooftop Efficiency.[3]


Though the rooftop live performance was unannounced, the unique intention behind The BeatlesGet Again mission was for the band to make a return as reside performers.[4] The thought of a giant public present was sidelined as one among George Harrison’s circumstances for returning to the group, after strolling out of the filmed rehearsals on 10 January.[5][6] One other of his stipulations was that they transfer from Twickenham Movie Studios to their Apple Corps headquarters and report their new songs within the basement Apple Studio.[5][7] On 22 January, Harrison introduced in keyboardist Billy Preston as a further musician, within the hope {that a} gifted outsider would encourage the band to be tight and centered.[8]

There was a plan to play reside someplace. We have been questioning the place we may go – “Oh, the Palladium or the Sahara”. However we might have needed to take all of the stuff, so we determined, “Let’s rise up on the roof.”[9]

– Ringo Starr, 2000

Paul McCartney and Michael Lindsay-Hogg, the director of the mission, continued to hope that The Beatles would finish the classes with a reside efficiency in entrance of an viewers.[5] Based on Beatles historian Mark Lewisohn, it’s unsure who had the concept for a rooftop live performance, however the suggestion was conceived simply days earlier than the precise occasion.[8] In Preston’s recollection, John Lennon thought up the concept to carry out on the rooftop.[10]

In his autobiography Sound Man, audio engineer Glyn Johns says the concept for the live performance was his. He remembers that it originated from a lunchtime dialogue when Ringo Starr talked about that there was an awesome view of London’s West Finish from the roof after which took Johns and Lindsay-Hogg as much as see it.[11] Mal Evans, The Beatles’ highway supervisor, recorded in his diary that the concept took place “after we would taken a breath of recent air on the roof after lunch” on 26 January.[10] Peter Jackson’s documentary collection The Beatles: Get Again exhibits Johns and Lindsay-Hogg presenting McCartney with the concept and McCartney being enthusiastic about it.[12]

Starr was initially decided to not play, and Harrison was reluctant.[13] The 29 January audio tapes for Lindsay-Hogg’s manufacturing seize McCartney pleading with Lennon {that a} reside efficiency was important to keep up The Beatles’ reference to their viewers, and the band members merely wanted to beat their stage fright.[14] In a bunch dialogue on the finish of that day, Harrison talked enthusiastically in regards to the upcoming present for the primary time and joked about performing for an viewers of chimneys.[15] In line with a call he made throughout the Twickenham rehearsals, nonetheless, Harrison declined to have any of his songs included within the set.[16]


Evans organised for a stage to be constructed on the Apple rooftop and for the band’s tools to be arrange there.[17] The devices used throughout the efficiency have been Lennon’s stripped-back Epiphone On line casino, McCartney’s signature Höfner “violin” bass, Harrison’s new, custom-made rosewood Fender Telecaster,[18] and Starr’s lately acquired Ludwig drum package, together with an electrical piano for Preston.[19] Johns and assistant engineer Alan Parsons bought ladies’s stockings from a neighborhood Marks & Spencer retailer to guard the microphones from the winter wind.[17] Plans to rent a helicopter to seize aerial footage have been deserted.[17]

The audio was recorded onto two eight-track recorders within the basement studio at Apple[20] by Johns[21] and Parsons.[22] Lindsay-Hogg’s crew used six cameras to movie a number of angles of the efficiency.[17] Along with cameras situated on the rooftop with the band, one digital camera was positioned, with out permission, on the roof of a constructing throughout the road;[23] a digital camera was hidden behind a two-way mirror within the reception space of the constructing, able to seize any disruption brought on by the loud music; and two cameras have been on the road to movie interviews and reactions from passers-by.[17]


3 Savile Row, London, the situation of the live performance (pictured in 2007)

Till the final minute, in response to Lindsay-Hogg, The Beatles have been nonetheless undecided about performing the live performance.[24] He recalled that that they had mentioned it after which gone silent, till “John stated within the silence, ‘Fuck it – let’s go do it.'”[25]

The 4 Beatles and Preston arrived on the roof at round 12:30pm.[26] When the musicians began enjoying, there was confusion amongst members of the general public, lots of whom have been on their lunch break. Because the information of the occasion unfold, crowds started to congregate within the streets and on the roofs of close by buildings.[27] Whereas most responded positively to the live performance, the Metropolitan Police grew involved about noise and visitors points,[27] having obtained complaints from a number of native companies.[22] The movie cameras captured cops arriving at Apple to cease the efficiency.[22] Apple workers initially saved the officers in reception and refused to allow them to as much as the roof, however reconsidered when threatened with arrest.[27][23]

Based on Johns, the band absolutely anticipated to be interrupted by the police, since there was a police station not far alongside Savile Row.[28] The authorities’ intervention glad a suggestion made by McCartney earlier in January, that The Beatles ought to carry out their live performance “in a spot we’re not allowed to do it … like we must always trespass, go in, arrange after which get moved … Getting forcibly ejected, nonetheless making an attempt to play your numbers, and the police lifting you.”[17]

The officers ascended to the roof simply because The Beatles started the second take of “Do not Let Me Down”.[23] In the course of the subsequent quantity – the ultimate model of “Get Again”[29] – McCartney improvised the lyrics to mirror the state of affairs:[22] “You have been enjoying on the roofs once more, and you understand your momma would not prefer it; she’s going to have you ever arrested!”[30] Appearing on the cops’ directions,[29] Evans turned off Lennon and Harrison’s guitar amplifiers mid-song, just for Harrison to show his amplifier again on in defiance. Evans then turned Lennon’s again on because the band continued to play.[2]

The live performance got here to an finish with the conclusion of “Get Again”. McCartney stated “Thanks Mo”, in response to applause and cheers from Maureen Starkey, Starr’s spouse.[30] Lennon then stated: “I might prefer to say thanks on behalf of the group and ourselves, and I hope we have handed the audition.”[2]

Set checklist

The rooftop live performance consisted of 9 full takes of 5 Beatles songs: three takes of “Get Again”; two every of “Do not Let Me Down” and “I’ve Bought a Feeling”; and one take every of “One After 909” and “Dig a Pony”.[21] On 28 January 2022, the audio of the total rooftop efficiency was launched to streaming providers as Get Again — The Rooftop Efficiency.[3] The album model reproduced the set checklist in its efficiency order.[31] As seen within the 2021 documentary collection The Beatles: Get Again, a brief take of “Get Again” was additionally performed and filmed earlier than takes one and two. The live performance additionally features a quick take of the British nationwide anthem “God Save the Queen”. Monitor instances are taken from the streaming model launched in 2022.

All tracks are written by John Lennon and Paul McCartney, besides the place famous.

No. Title Author(s) Size
1. “Get Again” (Take 1)   4:43
2. “Get Again” (Take 2)   3:24
3. “Do not Let Me Down” (Take 1)   3:22
4. “I’ve Bought a Feeling” (Take 1)   4:44
5. “One After 909”   3:09
6. “Dig a Pony”   5:52
7. “God Save the Queen” Conventional, organized by Lennon, McCartney, Harrison, and Starkey 0:26
8. “I’ve Bought a Feeling” (Take 2)   5:35
9. “Do not Let Me Down” (Take 2)   3:30
10. “Get Again” (Take 3)   3:47
Whole size: 38:28

The primary efficiency of “I’ve Bought a Feeling” and the recordings of “One After 909” and “Dig a Pony” have been later used for the album Let It Be.[32] In 1996, the third reside efficiency of “Get Again”, which was the final tune of The Beatles’ ultimate reside efficiency, was included on Anthology 3.[33][34] An edit of the 2 takes of “Do not Let Me Down” was included on Let It Be… Bare, [35] as was a composite of the 2 takes of “I’ve Bought a Feeling”. There have been additionally transient jams of “I Need You (She’s So Heavy)” (after the primary “Get Again”) and “God Save the Queen” (after “Dig a Pony”) whereas Parsons modified tapes.[36] Lennon sang strains from “Danny Boy” and “A Fairly Woman Is Like a Melody” between a few of the songs.[37]


The Beatles’ rooftop live performance marked the top of an period for a lot of followers. The group did report another album, Abbey Highway – for which work began the next month – however by September 1969 Lennon had left the band.[38] On the time, many observers believed the live performance was a trial run for a return to reside performances and touring, with the band re-engaging with their rock ‘n’ roll roots.[39] The live performance footage offered the climax of Lindsay-Hogg’s documentary, initially deliberate as a TV particular however launched because the Let It Be movie in Could 1970, a month after The Beatles’ break-up.[40]

Based on creator James Perone, the live performance achieved “iconic standing” – each amongst followers, because The Beatles’ ultimate reside look, and within the historical past of rock music, on the extent of the Monterey Pop, Woodstock and Altamont festivals.[41] He says that, though the present was “not technically a ‘live performance'” as a result of secrecy surrounding its presentation, and the band’s final official live performance was on 29 August 1966 in San Francisco, it stood out for capturing the type of unpredictability that turned typical of reside rock performances in 1969.[42]

The Rutles’ “Get Up and Go” sequence within the 1978 movie All You Want Is Money mimics the footage of the rooftop live performance, and makes use of comparable digital camera angles.[43] In January 2009, tribute band the Bootleg Beatles tried to stage a fortieth anniversary live performance in the identical location, however have been refused permission by Westminster Metropolis Council attributable to licensing issues.[44]

In The Simpsons 1993 fifth season episode “Homer’s Barbershop Quartet”, the Be Sharps (Homer, Apu, Barney and Principal Skinner) carry out a rendition of one among their earlier hits, “Child on Board”, on the rooftop of Moe’s Tavern. George Harrison, who guest-starred within the episode, is proven saying dismissively, “It has been carried out!” Because the tune ends and the credit start, Homer repeats John Lennon’s phrase about passing the audition and everybody laughs, together with Barney till he says, “I do not get it.”[45]

Within the 2007 movie Throughout The Universe, a musical made up totally of Beatles’ music, Sadie’s band performs a rooftop live performance in New York Metropolis which mimics the unique. It’s interrupted and closed down by the New York Police Division.[46]

The music video for Kazuyoshi Saito’s 2010 tune “Zutto Suki Datta” faithfully recreates the rooftop efficiency of “Get Again” with Saito as McCartney, Lily Franky as Lennon, Hiroyuki Kobori as Harrison, and Gaku Hamada as Starr.[47] It received Greatest Male Video on the 2011 House Bathe Music Video Awards.[48]

U2 additionally referenced the live performance of their video for “The place the Streets Have No Title”, which featured the same rooftop live performance in Los Angeles, 1987.[49]

Manchester indie band James carried out the same rooftop gig on the twenty-second anniversary of The Beatles’ model (30 January 1991) on high of the Piccadilly resort. The band carried out 5 songs, earlier than having to finish the set apparently as a result of Larry Gott’s fingers had change into frozen to his fretboard.[50]

McCartney performed a shock mini-concert in midtown Manhattan from the highest of the marquee of the Ed Sullivan Theater on 15 July 2009, the place he was recording a efficiency for the Late Present with David Letterman. Information of the occasion unfold by way of Twitter and phrase of mouth, and close by avenue corners have been closed off to accommodate followers for the set.[51]


The Beatles

  • John Lennon – lead and backing vocals, rhythm guitar; lead guitar on “Get Again”
  • Paul McCartney – lead and backing vocals, bass guitar
  • George Harrison – backing vocals, lead guitar; rhythm guitar on “Get Again”
  • Ringo Starr – drums

Extra musician

  • Billy Preston – electrical piano


  • Babiuk, Andy (2002). Beatles Gear: All of the Fab 4’s Devices, from Stage to Studio. San Francisco, CA: Backbeat Books. ISBN 978-0-87930-731-8.
  • The Beatles (2000). The Beatles Anthology. Chronicle Books. ISBN 978-0-8118-3636-4.
  • The Beatles (2021). The Beatles: Get Again. London: Callaway Arts & Leisure. ISBN 978-0-935112962.
  • Everett, Walter (1999). The Beatles as Musicians: Revolver by the Anthology. New York, NY: Oxford College Press. ISBN 978-0-19-512941-0.
  • Johns, Glyn (2014). Sound Man. New York, NY: Plume. ISBN 978-0-14-751657-2.
  • MacDonald, Ian (2005). Revolution within the Head: The Beatles’ Data and the Sixties (third (2007) ed.). Chicago Evaluation Press. ISBN 978-1-55652-733-3.
  • Lewisohn, Mark (2010) [1992]. The Full Beatles Chronicle: The Definitive Day-by-Day Information to The Beatles’ Whole Profession. Chicago Evaluation Press. ISBN 978-1-56976-534-0.
  • Miles, Barry (2001). The Beatles Diary Quantity 1: The Beatles Years. London: Omnibus Press. ISBN 0-7119-8308-9.
  • Perone, James E. (2005). Woodstock: An Encyclopedia of the Music and Artwork Truthful. Westport, CT: Greenwood Press. ISBN 978-0-313-33057-5.
  • Sulpy, Doug; Schweighardt, Ray (1999). Get Again: The Unauthorized Chronicle of The BeatlesLet It Be Catastrophe. New York, NY: St. Martin’s Griffin. ISBN 0-312-19981-3.
  • Womack, Kenneth (2014). The Beatles Encyclopedia: All the things Fab 4. Santa Barbara, CA: ABC-CLIO. ISBN 978-0-313-39171-2.

  • Do not Let Me Down from the rooftop
  • Former Apple government Ken Mansfield’s recollections of the live performance

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