The Freewheelin’ Bob Dylan

The Freewheelin’ Bob Dylan is the second studio album by American singer-songwriter Bob Dylan, launched on Might 27, 1963 by Columbia Data. Whereas his self-titled debut album Bob Dylan had contained solely two unique songs, this album represented the start of Dylan’s writing modern phrases to conventional melodies. Eleven of the 13 songs on the album are Dylan’s unique compositions. It opens with “Blowin’ within the Wind”, which grew to become an anthem of the Nineteen Sixties, and a global hit for people trio Peter, Paul and Mary quickly after the discharge of the album. The album featured a number of different songs which got here to be thought to be amongst Dylan’s greatest compositions and classics of the Nineteen Sixties folks scene: “Woman from the North Nation”, “Masters of Conflict”, “A Onerous Rain’s a-Gonna Fall” and “Do not Suppose Twice, It is All Proper”.

Dylan’s lyrics embraced information tales drawn from headlines in regards to the Civil Rights Motion and he articulated anxieties in regards to the concern of nuclear warfare. Balancing this political materials have been love songs, typically bitter and accusatory, and materials that options surreal humor. Freewheelin showcased Dylan’s songwriting expertise for the primary time, propelling him to nationwide and worldwide fame. The success of the album and Dylan’s subsequent recognition led to his being named as “Spokesman of a Era”, a label Dylan repudiated.

The Freewheelin’ Bob Dylan reached quantity 22 within the US (ultimately going platinum), and have become a number-one album within the UK in 1965. In 2003, the album was ranked quantity 97 on Rolling Stone‘s checklist of the five hundred biggest albums of all time. In 2002, Freewheelin was one of many first 50 recordings chosen by the Library of Congress to be added to the Nationwide Recording Registry.

Recording periods

Neither critics nor the general public took a lot discover of Dylan’s self-titled debut album, Bob Dylan, which offered solely 5,000 copies in its first yr, simply sufficient to interrupt even. In a pointed rebuke to John Hammond, who had signed Dylan to Columbia Data, some inside the firm referred to the singer as “Hammond’s Folly”[3] and prompt dropping his contract. Hammond defended Dylan vigorously and was decided that Dylan’s second album needs to be a hit.[4] The recording of Freewheelin happened from April 1962 to April 1963, and the album was assembled from eight recording periods within the Columbia Data Studio A, 799 Seventh Avenue, in New York Metropolis.[5]

Political and private background

Dylan had turn out to be well-known for his political songwriting—he’s seen right here in 1963 enjoying at a civil rights march with Joan Baez

Many critics have famous the extraordinary improvement of Dylan’s songwriting instantly after finishing his first album. One in every of Dylan’s biographers Clinton Heylin connects the sudden enhance in lyrics written alongside topical and political traces to the truth that Dylan had moved into an condominium on West 4th Avenue along with his girlfriend Suze Rotolo (1943-2011) in January 1962.[6] Rotolo’s household had robust left-wing political commitments; each of her mother and father have been members of the American Communist Occasion.[7] Dylan acknowledged her affect when he instructed an interviewer: “Suze was into this equality-freedom factor lengthy earlier than I used to be. I checked out the songs together with her”.[8]

Dylan’s relationship with Rotolo additionally supplied an necessary emotional dynamic within the composition of the Freewheelin album. After six months of residing with Dylan, Rotolo agreed to her mom’s proposal that she journey to Italy to review artwork.[9][a 1] Dylan missed her and wrote lengthy letters to her conveying his hope that she would return quickly to New York.[10] She postponed her return a number of instances, lastly coming again in January 1963. Critics have linked the extreme love songs expressing longing and loss on Freewheelin to Dylan’s fraught relationship with Rotolo.[11] In her autobiography, Rotolo explains that musicians’ girlfriends have been routinely described as “chicks”, and she or he resented being thought to be “a possession of Bob, who was the focus”.[12]

The pace and facility with which Dylan wrote topical songs attracted the eye of different musicians within the New York folks scene. In a radio interview on WBAI in June 1962, Pete Seeger described Dylan as “probably the most prolific songwriter on the scene” after which requested Dylan what number of songs he had written lately. Dylan replied, “I would go for 2 weeks with out writing these songs. I write lots of stuff. In actual fact, I wrote 5 songs final night time however I gave all of the papers away in some place referred to as the Bitter Finish.”[13] Dylan additionally expressed the impersonal concept that the songs weren’t his personal creation. In an interview with Sing Out! journal, Dylan mentioned, “The songs are there. They exist all by themselves simply ready for somebody to jot down them down. I simply put them down on paper. If I did not do it, any person else would”.[14]

Recording in New York

Dylan started work on his second album at Columbia’s Studio A in New York on April 24, 1962. The album was provisionally entitled Bob Dylan’s Blues, and as late as July 1962, this is able to stay the working title.[15] At this session, Dylan recorded 4 of his personal compositions: “Sally Gal”, “The Demise of Emmett Until”, “Rambling, Playing Willie”, and “Talkin’ John Birch Paranoid Blues”. He additionally recorded two conventional folks songs, “Going To New Orleans” and “Corrina, Corrina”, and Hank Williams’ “(I Heard That) Lonesome Whistle”.[16]

Returning to Studio A the next day, Dylan recorded his new tune about fallout shelters, “Let Me Die In My Footsteps”. Different unique compositions adopted: “Rocks and Gravel”, “Speaking Hava Negiliah Blues”, “Speaking Bear Mountain Picnic Bloodbath Blues”, and two extra takes of “Sally Gal”. Dylan recorded cowl variations of “Wichita”, Massive Joe Williams’ “Child, Please Do not Go”, and Robert Johnson’s “Milk Cow’s Calf’s Blues”.[16] As a result of Dylan’s songwriting expertise was creating so quickly, nothing from the April periods appeared on Freewheelin.[5]

The recording periods at Studio A resumed on July 9, when Dylan recorded “Blowin’ within the Wind”, a tune that he had first carried out stay at Gerde’s People Metropolis on April 16.[17] Dylan additionally recorded “Bob Dylan’s Blues”, “Down the Freeway”, and “Honey, Simply Permit Me One Extra Likelihood”, all of which ended up on Freewheelin, plus one different unique composition, “Child, I am within the Temper for You”, which didn’t.[18]

At this level, music supervisor Albert Grossman started to take an curiosity in Dylan’s enterprise affairs. Grossman persuaded Dylan to switch the publishing rights of his songs from Duchess Music, whom he had signed a contract with in January 1962, to Witmark Music, a division of Warner’s music publishing operation. Dylan signed a contract with Witmark on July 13, 1962.[19] Unknown to Dylan, Grossman had additionally negotiated a cope with Witmark. This gave Grossman fifty p.c of Witmark’s share of the publishing revenue generated by any songwriter Grossman had delivered to the corporate. This “secret deal” resulted in a bitter authorized battle between Dylan and Grossman within the Nineteen Eighties.[20]

Albert Grossman grew to become Dylan’s supervisor on August 20, 1962.[21] Since Dylan was below twenty-one when he had signed his contract with CBS, Grossman argued that the contract was invalid and needed to be re-negotiated. As an alternative, Hammond responded by inviting Dylan to his workplace and persuading him to signal a “reaffirment”—agreeing to abide by the unique contract. This successfully neutralized Grossman’s technique, and led to some animosity between Grossman and Hammond.[22] Grossman loved a status within the folks scene of being commercially aggressive, producing extra revenue and defending his shoppers’ pursuits extra fiercely than “the nicer, extra amateurish managers within the Village”.[23] Dylan critic Andy Gill has prompt that Grossman inspired Dylan to turn out to be extra reclusive and aloof, even paranoid.[24]

Whereas recording Freewheelin in New York, Dylan had his first efficiency at Carnegie Corridor

On September 22, Dylan appeared for the primary time at Carnegie Corridor, a part of an all-star hootenanny. On this event, he premiered his new composition “A Onerous Rain’s a-Gonna Fall”,[25] a fancy and highly effective tune constructed upon the query and reply chorus sample of the normal British ballad “Lord Randall”. “Onerous Rain” would acquire added resonance one month later, when President Kennedy appeared on nationwide tv on October 22, and introduced the invention of Soviet missiles on the island of Cuba, initiating the Cuban Missile Disaster. Within the sleeve notes on the Freewheelin album, Nat Hentoff quotes Dylan as saying that he wrote “Onerous Rain” in response to the Cuban Missile Disaster: “Each line in it’s really the beginning of a complete new tune. However once I wrote it, I assumed I would not have sufficient time alive to jot down all these songs so I put all I may into this one”.[26] In actual fact, Dylan had written the tune greater than a month earlier than the disaster broke.

Dylan resumed work on Freewheelin at Columbia’s Studio A on October 26, when a significant innovation happened—Dylan made his first studio recordings with a backing band. Accompanied by Dick Wellstood on piano, Howie Collins and Bruce Langhorne on guitar, Leonard Gaskin on bass, and Herb Lovelle on drums, Dylan recorded three songs. A number of takes of Dylan’s “Combined-Up Confusion” and Arthur Crudup’s “That is All Proper Mama” have been deemed unusable,[27] however a grasp take of “Corrina, Corrina” was chosen for the ultimate album. An ‘alternate take’ of “Corrina, Corrina” from the identical session would even be chosen for the b-side of “Combined Up Confusion”, Dylan’s first electrical single issued later within the yr. On the subsequent recording session on November 1, the band included Artwork Davis on bass, whereas jazz guitarist George Barnes changed Howie Collins. “Combined-Up Confusion” and “That is All Proper Mama” have been re-recorded, and once more the outcomes have been deemed unsatisfactory. A take of the third tune, “Rocks and Gravel”, was chosen for the album, however the monitor was subsequently dropped.[28]

On November 14, Dylan resumed work along with his backup band, this time with Gene Ramey on bass, devoting many of the session to recording “Combined-Up Confusion”. Though this monitor didn’t seem on Freewheelin, it was launched as a single on December 14, 1962, after which swiftly withdrawn.[29] In contrast to the opposite materials which Dylan recorded between 1961 and 1964, “Combined-Up Confusion” tried a rockabilly sound. Cameron Crowe described it as “an enchanting have a look at a folks artist along with his thoughts wandering in the direction of Elvis Presley and Solar Data”.[30]

Additionally recorded on November 14 was the brand new composition “Do not Suppose Twice, It is All Proper” (Clinton Heylin writes that, though the sleeve notes of Freewheelin describe this tune as being accompanied by a backing band, no band is audible on the launched model).[26][31] Langhorne then accompanied Dylan on three extra unique compositions: “Ballad of Hollis Brown”, “Kingsport City”, and “Whatcha Gonna Do”, however these performances weren’t included on Freewheelin.[28]

Dylan held one other session at Studio A on December 6. 5 songs, all unique compositions, have been recorded, three of which have been ultimately included on The Freewheelin’ Bob Dylan: “A Onerous Rain’s a-Gonna Fall”, “Oxford City”, and “I Shall Be Free”. Dylan additionally made one other try at “Whatcha Gonna Do” and recorded a brand new tune, “Hero Blues”, however each songs have been in the end rejected and left unreleased.[28]

Touring to England

Twelve days later, Dylan made his first journey overseas. British TV director Philip Saville had heard Dylan carry out in Greenwich Village, and invited him to participate in a BBC tv drama: Madhouse on Citadel Avenue. Dylan arrived in London on December 17. Within the play, Dylan carried out “Blowin’ within the Wind” and two different songs.[32] Dylan additionally immersed himself within the London folks scene, making contact with the Troubadour folks membership organizer Anthea Joseph and folks singers Martin Carthy and Bob Davenport. “I bumped into some folks in England who actually knew these [traditional English] songs,” Dylan recalled in 1984. “Martin Carthy, one other man named [Bob] Davenport. Martin Carthy’s unbelievable. I realized lots of stuff from Martin.”[33]

Carthy taught Dylan two English songs that may show necessary for the Freewheelin album. Carthy’s association of “Scarborough Honest” could be utilized by Dylan as the idea of his personal composition, “Woman from the North Nation”. A Nineteenth-century ballad commemorating the demise of Sir John Franklin in 1847, “Woman Franklin’s Lament”, gave Dylan the melody for his composition “Bob Dylan’s Dream”. Each songs displayed Dylan’s fast-growing skill to take conventional melodies and use them as a foundation for extremely private songwriting.[34]

From England, Dylan traveled to Italy, and joined Albert Grossman, who was touring along with his shopper Odetta.[35] Dylan was additionally hoping to make contact along with his girlfriend, Suze Rotolo, unaware that she had already left Italy and was on her means again to New York. Dylan labored on his new materials, and when he returned to London, Martin Carthy obtained a shock: “When he got here again from Italy, he’d written ‘Woman From the North Nation’; he got here all the way down to the Troubadour and mentioned, ‘Hey, here is “Scarborough Honest”‘ and he began enjoying this factor”.[36]

Returning to New York

Dylan flew again to New York on January 16, 1963.[37] In January and February, he recorded a few of his new compositions in periods for the people journal Broadside, together with a brand new anti-war tune, “Masters of Conflict”, which he had composed in London.[38][39] Dylan was blissful to be reunited with Suze Rotolo, and he persuaded her to maneuver again into the condominium they’d shared on West 4th Avenue.[40]

Dylan’s keenness to report his new materials for Freewheelin paralleled a dramatic energy wrestle within the studio: Albert Grossman’s dedication to have John Hammond changed as Dylan’s producer at CBS. In accordance with Dylan biographer Howard Sounes, “The 2 males couldn’t have been extra completely different. Hammond was a WASP, so relaxed throughout recording periods that he sat with toes up, studying The New Yorker. Grossman was a Jewish businessman with a shady previous, hustling to turn out to be a millionaire”.[22]

Due to Grossman’s hostility to Hammond, Columbia paired Dylan with a younger, African-American jazz producer, Tom Wilson. Wilson recalled: “I did not even notably like folks music. I would been recording Solar Ra and Coltrane … I assumed folks music was for the dumb guys. [Dylan] performed just like the dumb guys, however then these phrases got here out. I used to be flabbergasted.”[41] At a recording session on April 24, produced by Wilson, Dylan recorded 5 new compositions: “Woman from the North Nation”, “Masters of Conflict”, “Talkin’ World Conflict III Blues”, “Bob Dylan’s Dream”, and “Partitions of Pink Wing”. “Partitions of Pink Wing” was in the end rejected, however the different 4 have been included in a revised album sequence.[42]

The ultimate drama of recording Freewheelin occurred when Dylan was scheduled to look on The Ed Sullivan Present on Might 12, 1963. Dylan had instructed Sullivan he would carry out “Talkin’ John Birch Paranoid Blues”, however the “head of program practices” at CBS Tv knowledgeable Dylan that this tune was probably libelous to the John Birch Society, and requested him to carry out one other quantity. Moderately than adjust to TV censorship, Dylan refused to look on the present.[43] There’s disagreement between Dylan’s biographers in regards to the penalties of this censorship row. Anthony Scaduto writes that after The Ed Sullivan Present debacle, CBS attorneys have been alarmed to find that the controversial tune was to be included on Dylan’s new album, only some weeks from its launch date. They insisted that the tune be dropped, and 4 songs (“John Birch”, “Let Me Die In My Footsteps”, “Rambling Playing Willie”, “Rocks and Gravel”) on the album have been changed with Dylan’s newer compositions recorded in April (“Woman from the North Nation”, “Masters of Conflict”, “Talkin’ World Conflict III Blues”, “Bob Dylan’s Dream”). Scaduto writes that Dylan felt “crushed” by being compelled to undergo censorship, however he was in no place to argue.[44]

In accordance with biographer Clinton Heylin, “There stays a typical perception that [Dylan] was compelled by Columbia to drag ‘Talkin’ John Birch Paranoid Blues’ from the album after he walked out on The Ed Sullivan Present.” Nevertheless, the “revised” model of The Freewheelin’ Bob Dylan was launched on Might 27, 1963; this is able to have given Columbia Data solely two weeks to recut the album, reprint the report sleeves, and press and package deal sufficient copies of the brand new model to fill orders. Heylin means that CBS had in all probability compelled Dylan to withdraw “John Birch” from the album some weeks earlier and that Dylan had responded by recording his new materials on April 24.[45] Whether or not the songs have been substituted earlier than or after The Ed Sullivan Present, critics agree that the brand new materials gave the album a extra private really feel, distanced from the normal folk-blues materials which had dominated his first album, Bob Dylan.[46]

A number of copies of the unique urgent of the LP with the 4 deleted tracks have turned up over time, regardless of Columbia’s supposed destruction of all copies through the pre-release part (all copies discovered have been in the usual album sleeve with the revised monitor choice). Different permutations of the Freewheelin album embrace variations with a special working order of the tracks on the album, and a Canadian model of the album that listed the tracks within the flawed order.[47][48] The unique urgent of The Freewheelin’ Bob Dylan is taken into account probably the most precious and rarest report in America,[48] with one copy having offered for $35,000.[49]

Songs and themes

Facet one

“Blowin’ within the Wind”

“Blowin’ within the Wind” is amongst Dylan’s most celebrated compositions. In his sleeve notes for The Bootleg Sequence Volumes 1–3 (Uncommon & Unreleased) 1961–1991, John Bauldie writes that it was Pete Seeger who first recognized the melody of “Blowin’ within the Wind” as Dylan’s adaptation of the outdated Negro religious “No Extra Public sale Block”. In accordance with Alan Lomax’s The People Songs of North America, the tune originated in Canada and was sung by former slaves who fled there after Britain abolished slavery in 1833. In 1978, Dylan acknowledged the supply when he instructed journalist Marc Rowland: “‘Blowin’ within the Wind’ has all the time been a religious. I took it off a tune referred to as ‘No Extra Public sale Block’—that is a religious and ‘Blowin’ within the Wind’ follows the identical feeling.”[50] Dylan’s efficiency of “No Extra Public sale Block” was recorded on the Gaslight Cafe in October 1962, and appeared on The Bootleg Sequence Volumes 1–3 (Uncommon & Unreleased) 1961–1991.

Critic Andy Gill wrote: ‘Blowin’ within the Wind’ marked an enormous bounce in Dylan’s songwriting: for the primary time, Dylan found the effectiveness of shifting from the actual to the final. Whereas ‘The Ballad of Donald White’ would turn out to be fully redundant as quickly because the eponymous legal was executed, a tune as imprecise as ‘Blowin’ within the Wind’ may very well be utilized to simply about any freedom challenge. It stays the tune with which Dylan’s title is most inextricably linked, and safeguarded his status as a civil libertarian via any variety of adjustments in fashion and angle.”[51]

“Blowin’ within the Wind” grew to become world-famous when Peter, Paul and Mary issued the tune as a single three weeks after the discharge of Freewheelin. They and Dylan each shared the identical supervisor: Albert Grossman. The one offered an outstanding 300 thousand copies within the first week of launch. On July 13, 1963, it reached quantity two on the Billboard chart with gross sales exceeding a million copies.[52] Dylan later recalled that he was astonished when Peter Yarrow instructed him he was going to make $5,000 from the publishing rights.[30]

“Woman from the North Nation”

There was a lot hypothesis in print in regards to the id of the woman in “Woman from the North Nation”. Clinton Heylin states that probably the most steadily mooted candidates are Echo Helstrom, an early girlfriend of Dylan from his hometown of Hibbing, and Suze Rotolo, for whom Dylan was pining as he completed the tune in Italy.[53] Howard Sounes suggests the woman Dylan in all probability had in thoughts was Bonnie Beecher, a girlfriend of Dylan’s when he was on the College of Minnesota.[54][a 2] Musicologist Todd Harvey notes that Dylan not solely took the tune of “Scarborough Honest”, which he realized from Martin Carthy in London but additionally tailored the theme of that tune. “Scarborough Honest” derives from “The Elfin Knight” (Little one Ballad Quantity 2), which was first transcribed in 1670. Within the tune, a supernatural character poses a sequence of inquiries to an harmless, requesting her to carry out unattainable duties. Harvey factors out that Dylan “retains the concept of the listener being despatched upon a job, a northern place setting, and an vintage lyric high quality”.[55] Dylan returned to this tune on Nashville Skyline (1969), recording it as a duet with Johnny Money, and he returned to it once more within the studio with an unreleased organ and sax model in 1978.

“Masters of Conflict”

A scathing tune directed towards the struggle trade, “Masters of Conflict” relies on Jean Ritchie’s association of “Nottamun City”, an English riddle tune. It was written in late 1962 whereas Dylan was in London; eyewitnesses (together with Martin Carthy and Anthea Joseph) recall Dylan performing the tune in folks golf equipment on the time. Ritchie would later assert her declare on the tune’s association; in response to one Dylan biography, the swimsuit was settled when Ritchie obtained $5,000 from Dylan’s attorneys.[56]

“Down the Freeway”

Dylan composed “Down the Freeway” within the type of a 12-bar blues. Within the sleeve notes of Freewheelin, Dylan defined to Nat Hentoff: “What made the true blues singers so nice is that they have been capable of state all the issues they’d; however on the similar time, they have been standing exterior of them and will have a look at them. And in that means, they’d them beat.”[26] Into this tune, Dylan injected one specific point out of an absence that was troubling him: the sojourn of Suze Rotolo in Perugia: “My child took my coronary heart from me/ She packed all of it up in a suitcase/ Lord, she took it away to Italy, Italy.”

Bob Dylan’s Blues”

Bob Dylan’s Blues” begins with a spoken intro the place Dylan describes the origins of folks songs in a satirical vein: “many of the songs which can be written uptown in Tin Pan Alley, that is the place many of the folks songs come from these days”.[57] What follows has been characterised as an absurd, improvised blues[57] which Dylan, within the sleeve notes, describes as “a extremely off-the-cuff-song. I begin with an concept after which I really feel what follows. Finest means I can describe this one is that it is type of like strolling by a facet avenue. You gaze in and stroll on.”[26] Harvey factors out that Dylan subsequently elaborated this fashion of self-deprecatory, absurdist humor into extra complicated songs, equivalent to “I Shall Be Free No.10” (1964).[58]

“A Onerous Rain’s a-Gonna Fall”

Dylan was solely 21 years outdated when he wrote one in every of his most complicated songs, “A Onerous Rain’s a-Gonna Fall”, sometimes called “Onerous Rain”. Dylan is alleged to have premiered “Onerous Rain” on the Gaslight Cafe, the place Village performer Peter Blankfield recalled: “He put out these items of loose-leaf paper ripped out of a spiral pocket book. And he begins singing [‘Hard Rain’] … He completed singing it, and nobody may say something. The size of it, the episodic sense of it. Each line stored constructing and bursting”.[59] Dylan carried out “Onerous Rain” days later at Carnegie Corridor on September 22, 1962, as a part of a live performance organized by Pete Seeger. The tune gained added resonance through the Cuban Missile Disaster, only one month after Dylan’s first efficiency of “Onerous Rain”, when U.S. President John F. Kennedy gave his warning to the Soviet Union over their deployment of nuclear missiles in Cuba. Critics have interpreted the lyric ‘arduous rain’ as a reference to nuclear fallout, however Dylan resisted the specificity of this interpretation. In a radio interview with Studs Terkel in 1963, Dylan mentioned,

“No, it is not atomic rain, it is only a arduous rain. It is not the fallout rain. I imply some type of finish that is simply gotta occur … Within the final verse, once I say, ‘the pellets of poison are flooding the waters’, which means all of the lies that folks get instructed on their radios and of their newspapers.”[60]

Many individuals have been astonished by the ability and complexity of this work. For Robert Shelton, who had given Dylan an necessary enhance in his 1961 overview in The New York Instances, this tune was “a landmark in topical, folk-based songwriting. Right here blooms the promised fruit of the Fifties poetry-jazz fusion of Ginsberg, Ferlinghetti, and Rexroth.”[61] People singer Dave Van Ronk later commented: “I used to be acutely conscious that it represented the start of a creative revolution.”[62] Pete Seeger expressed the opinion that this tune would last more than every other written by Dylan.[63]

Facet two

“Do not Suppose Twice, It is All Proper”

Dylan wrote “Do not Suppose Twice, It is All Proper” on listening to from Suze Rotolo that she was contemplating staying in Italy indefinitely,[64] and he used a melody he tailored from Paul Clayton’s tune “Who’s Gonna Purchase You Ribbons (After I’m Gone)”.[65] Within the Freewheelin sleeve notes, Dylan feedback: “It is not a love tune. It is a assertion that perhaps you possibly can say to make your self really feel higher. It is as in the event you have been speaking to your self”.

Dylan’s contemporaries hailed the tune as a masterpiece: Bob Spitz quotes Paul Stookey saying “I assumed it was a masterful assertion”, whereas Dave Van Ronk referred to as it “self-pitying however sensible”.[66][67] Dylan biographer Howard Sounes commented: “The greatness of the tune was within the cleverness of the language. The phrase “do not assume twice, it is all proper” may very well be snarled, sung with resignation, or delivered with an ambiguous combination of bitterness and remorse. Seldom have the contradictory feelings of a thwarted lover been so effectively expressed, and the tune transcended the autobiographical origins of Dylan’s ache”.[68]

Bob Dylan’s Dream”

Bob Dylan’s Dream” was based mostly on the melody of the normal “Woman Franklin’s Lament”, during which the title character goals of discovering her husband, Arctic explorer Sir John Franklin, alive and effectively. (Sir John Franklin had vanished on an expedition looking for the North West Passage in 1845; a stone cairn on King William Island detailing his demise was discovered by a later expedition in 1859.) Todd Harvey factors out that Dylan transforms the tune into a private journey, but he retains each the theme and the temper of the unique ballad. The world exterior is depicted as stormy and harsh, and Dylan’s most fervent want, like Woman Franklin’s, is to be reunited with departed companions and to relive the fond reminiscences they characterize.[69]

“Oxford City”

“Oxford City” is Dylan’s sardonic account of occasions on the College of Mississippi in September 1962. U.S. Air Pressure veteran James Meredith was the primary black scholar to enroll on the College of Mississippi, in Oxford, Mississippi. When Meredith first tried to attend courses on the faculty, some Mississippians pledged to maintain the college segregated, together with the state governor Ross Barnett. In the end, the College of Mississippi needed to be built-in with the assistance of U.S. federal troops. Dylan responded quickly: his tune was revealed within the November 1962 challenge of Broadside.[70]

“Talkin’ World Conflict III Blues”

The “talkin’ blues” was a method of improvised songwriting that Woody Guthrie had developed to a excessive aircraft. (A Minneapolis home recording that Dylan made in September 1960 contains his performances of Guthrie’s “Speaking Columbia” and “Speaking Service provider Marine”.)[71] “Talkin’ World Conflict III Blues” was a spontaneous composition Dylan created within the studio through the last session for The Freewheelin’ Bob Dylan. He recorded 5 takes of the tune and the fifth was chosen for the album. The format of the “talkin’ blues” permitted Dylan to deal with the intense topic of nuclear annihilation with humor, and “with out resorting to his finger-pointing or apocalyptical-prophetic persona”.[71]

“Corrina, Corrina”

“Corrina, Corrina” was recorded by the Mississippi Sheiks, and by their chief Bo Carter in 1928. The tune was coated by artists as numerous as Bob Wills, Massive Joe Turner, and Doc Watson. Dylan’s model borrows phrases from just a few Robert Johnson songs: “Stones In My Passway”, “32-20 Blues”, and “Hellhound On My Path”.[72] An alternate take of the tune was used as a B-side for his “Combined-Up Confusion” single.[73]

“Honey, Simply Permit Me One Extra Likelihood”

“Honey, Simply Permit Me One Extra Likelihood” relies on “Honey, Will not You Permit Me One Extra Likelihood?”, a tune relationship again to the Nineties that was popularized by Henry Thomas in his 1928 recording. “Nevertheless, Thomas’s unique supplied not more than a tune title and a notion”, writes Heylin, “which Dylan became a private plea to an absent lover to permit him ‘yet another probability to get together with you.’ It’s a vocal tour de power and … confirmed a Dylan ready to make mild of his personal blues by utilizing the shape itself.”[74]

“I Shall Be Free”

“I Shall Be Free” is a rewrite of Lead Stomach’s “We Shall Be Free”, which was carried out by Lead Stomach, Sonny Terry, Cisco Houston, and Woody Guthrie. In accordance with Todd Harvey, Dylan’s model attracts its melody from the Guthrie recording however omits its signature refrain (“We’ll quickly be free/When the Lord will name us dwelling”).[75] Critics have been divided in regards to the value of this last tune. Robert Shelton dismissed the tune as “a determined anticlimax. Though the album has not less than a half dozen blockbusters, two of the weakest songs are tucked in on the finish, like shirttails.”[76] Todd Harvey has argued that by putting the tune on the shut of the Freewheelin LP, Dylan ends on a be aware of levity which is a aid after the weighty sentiments expressed in a number of songs on the album.[77]

Outtakes

The recognized outtakes from the Freewheelin album are as follows. All songs launched in 1991 on The Bootleg Sequence 1–3 are mentioned in that album’s liner notes,[50] whereas songs which have by no means been launched have been documented by biographer Clinton Heylin,[2] besides the place famous. All songs written by Bob Dylan, besides the place famous.

Title Standing
“Child, I am within the Temper for You” Launched on Biograph[30] and on “The Freewheelin’ Outtakes”, issued by “Resurfaced Data” in 2018
“Child, Please Do not Go”
(Massive Joe Williams)
Launched on iTunes’ Unique Outtakes From No Course Dwelling EP[78] and on “The Freewheelin’ Outtakes” in 2018.
“Corrine, Corrina” Two various takes launched on “The Freewheelin’ Outtakes” in 2018.
“Ballad of Hollis Brown” Freewheelin periods recordings launched on “The Freewheelin’ Outtakes” in 2018. Re-recorded for Dylan’s subsequent album, The Instances They Are a-Changin. Demo model launched on The Bootleg Sequence Vol. 9 – The Witmark Demos: 1962–1964[79]

Dylan and Mike Seeger recorded a duet model for Seeger’s album “Third Annual Farewell Reunion” (Rounder Data, 1994).

“The Demise of Emmett Until” Freewheelin periods recordings launched on “The Freewheelin’ Outtakes”, issued by “Resurfaced Data” in 2018. Recording for “Broadside Present” on WBAI-FM, Might 1962, launched on Folkways Data’ Broadside Ballads, Vol. 6: Broadside Reunion below pseudonym Blind Boy Grunt.[80][81] Demo model launched on The Bootleg Sequence Vol. 9 – The Witmark Demos: 1962–1964[79]
“Hero Blues” Freewheelin periods recordings unreleased. Demo model launched on The Bootleg Sequence Vol. 9 – The Witmark Demos: 1962–1964[79]
“Going to New Orleans” Launched on “The Freewheelin’ Outtakes”, issued by “Resurfaced Data” in 2018. Takes 1 and a couple of launched on The fiftieth Anniversary Assortment Vol. 1)
“(I Heard That) Lonesome Whistle”
(Hank Williams, Jimmie Davis)
Launched on “The Freewheelin’ Outtakes” in 2018. (Take 2 launched on The fiftieth Anniversary Assortment Vol. 1)
“Kingsport City”
(conventional)
Launched on The Bootleg Sequence 1–3
“Let Me Die In My Footsteps” Launched on The Bootleg Sequence 1–3
“Milk Cow’s Calf’s Blues”
(Robert Johnson)
Launched on “The Freewheelin’ Outtakes” in 2018. (Takes 1, 3, and 4 launched on The fiftieth Anniversary Assortment Vol. 1)
“Combined-Up Confusion” Launched as a single, however shortly withdrawn. Later launched in 1985 on Biograph[30] and on “The Freewheelin’ Outtakes” in 2018.
“Give up Your Lowdown Methods” Launched on The Bootleg Sequence 1–3
“Rambling, Playing Willie” Launched on The Bootleg Sequence 1–3
“Rocks and Gravel” Studio model launched on soundtrack CD of US TV sequence True Detective episode one, (“The Lengthy Brilliant Darkish” 2014). Acoustic model launched as a stay recording from The Gaslight Cafe, October 1962, on Stay on the Gaslight 1962[82][83] (Takes 2 and three launched on The fiftieth Anniversary Assortment Vol. 1 and on “The Freewheelin’ Outtakes” in 2018.)
“Sally Gal” Launched on No Course Dwelling: The Bootleg Sequence Vol. 7.[84] Two takes launched on “The Freewheelin’ Outtakes” in 2018.
“Talkin’ Bear Mountain Picnic Bloodbath Blues” Launched on The Bootleg Sequence 1–3
“Talkin’ Hava Negiliah Blues” Launched on The Bootleg Sequence 1–3
“Talkin’ John Birch Paranoid Blues” Freewheelin periods recordings launched on “The Freewheelin’ Outtakes”, issued by “Resurfaced Data” in 2018. Launched as a stay recording from Carnegie Corridor, October 26, 1963, on The Bootleg Sequence 1–3. Demo model launched on The Bootleg Sequence Vol. 9 – The Witmark Demos: 1962–1964[79]
“That is All Proper (Mama)”
(Arthur Crudup)
Two takes launched on “The Freewheelin’ Outtakes” in 2018. (Takes 1, 3, 5 and “Remake Overdub CO76893-3” launched on The fiftieth Anniversary Assortment Vol. 1)
“Partitions of Pink Wing” Launched on The Bootleg Sequence 1–3
“Whatcha Gonna Do” Freewheelin periods recordings unreleased. Demo model launched on The Bootleg Sequence Vol. 9 – The Witmark Demos: 1962–1964[79] and on “The Freewheelin’ Outtakes” in 2018.
“Wichita (Goin’ to Louisiana)”
(conventional)
Unreleased (Takes 1 and a couple of launched on The fiftieth Anniversary Assortment Vol. 1 and on “The Freewheelin’ Outtakes” in 2018.)
“Frightened Blues”
(conventional)
Launched on The Bootleg Sequence 1–3

Launch

Skilled scores
Evaluation scores
Supply Ranking
AllMusic [85]
The Encyclopedia of In style Music [86]
Leisure Weekly A–[87]
MusicHound Rock 4.5/5[89]
The Rolling Stone Album Information [88]
Tom Hull A–[90]

Dylan promoted his upcoming album with radio appearances and live performance performances. In Might 1963, Dylan carried out with Joan Baez on the Monterey People Competition, the place she joined him on stage for a duet of a brand new Dylan tune, “With God on Our Facet”. Baez was on the pinnacle of her fame, having appeared on the quilt of Time journal the earlier November. The efficiency not solely gave Dylan and his songs a brand new prominence, it additionally marked the start of a romantic relationship between Baez and Dylan, the beginning of what Dylan biographer Sounes termed “one of the vital celebrated amorous affairs of the last decade”.[56]

The Freewheelin’ Bob Dylan was launched on the finish of Might. In accordance with Scaduto, it was a right away success, promoting 10,000 copies a month and bringing Dylan an revenue of about $2,500 a month.[91] An article by Nat Hentoff on folks music appeared within the June challenge of Playboy journal and devoted appreciable house to Dylan’s achievements, calling him “probably the most very important of the youthful citybillies”.[91]

In July, Dylan appeared on the second Newport People Competition. That weekend, Peter, Paul and Mary’s rendition of “Blowin’ within the Wind” reached quantity two on Billboards pop chart. Baez was additionally at Newport, showing twice on stage with Dylan. The mix of the chart success of “Blowin’ within the Wind”, and the glamor of Baez and Dylan singing collectively generated pleasure about Dylan and his new album. Tom Paxton recalled: “That was a giant breakout pageant for Bob. The thrill stored rising exponentially and it was like a coronation of Bob and Joan. They have been King and Queen of the pageant”.[92] His pal Bob Fass recalled that after Newport, Dylan instructed him that “abruptly I simply can’t stroll round with no disguise. I used to stroll round and go wherever I wished. However now it is gotten very bizarre. Folks observe me into the boys’s room simply to allow them to say that they noticed me pee”.[93]

In September, the album entered Billboards album charts; the best place Freewheelin reached was quantity 22, however it will definitely got here to promote a million copies within the U.S.[94] Dylan himself got here to acknowledge Freewheelin because the album that marked the beginning of his success. Throughout his dispute with Albert Grossman, Dylan acknowledged in a deposition: “Though I did not understand it on the time, the second album was destined to turn out to be an important success as a result of it was to incorporate ‘Blowin’ within the Wind’.”[95] Apart from “Blowin’ within the Wind”, “Masters of Conflict”, “Woman from the North Nation”, “A Onerous Rain’s a-Gonna Fall” and “Do not Suppose Twice, It is All Proper” have all been acclaimed as masterpieces, they usually have been mainstays of Dylan’s performing repertory to the current day.[96] The album’s stability between severe material and levity, earnest finger-pointing songs and surreal jokes captured a large viewers, together with The Beatles, who have been on the cusp of worldwide success. John Lennon recalled: “In Paris in 1964 was the primary time I ever heard Dylan in any respect. Paul obtained the report (The Freewheelin’ Bob Dylan) from a French DJ. For 3 weeks in Paris we did not cease enjoying it. All of us went potty about Dylan”.[97]

The album was re-issued in 2010 as a part of The Unique Mono Recordings, a Columbia Legacy field set that included the monaural variations of Dylan’s first eight albums.[98]

Art work

The album cowl incorporates a {photograph} of Dylan with Suze Rotolo. It was taken in February 1963—just a few weeks after Rotolo had returned from Italy—by CBS employees photographer Don Hunstein as Dylan and Rotolo walked in the course of Jones Avenue, roughly 50 toes from West 4th Avenue within the West Village, New York Metropolis, near the condominium the place the couple lived on the time.[99] In 2008, Rotolo described the circumstances surrounding the well-known picture to The New York Instances: “He wore a really skinny jacket, as a result of picture was all. Our condominium was all the time chilly, so I had a sweater on, plus I borrowed one in every of his massive, cumbersome sweaters. On prime of that I placed on a coat. So I felt like an Italian sausage. Each time I have a look at that image, I believe I look fats.”[100] In her memoir, A Freewheelin’ Time, Rotolo analyzed the importance of the quilt artwork:

It’s a type of cultural markers that influenced the look of album covers exactly due to its informal down-home spontaneity and sensibility. Most album covers have been fastidiously staged and managed, to terrific impact on the Blue Word jazz album covers … and to not-so great-effect on the superbly posed and clean-cut pop and folks albums. Whoever was accountable for selecting that specific {photograph} for The Freewheelin’ Bob Dylan actually had a watch for a brand new look.[101]

Critic Janet Maslin summed up the enduring impression of the quilt as “{a photograph} that impressed numerous younger males to hunch their shoulders, look distant, and let the woman do the clinging”.[102]

In widespread tradition

The album’s cowl picture was fastidiously recreated by Cameron Crowe for his 2001 Tom Cruise-starring movie Vanilla Sky[103] and by Todd Haynes for his 2007 Dylan biopic I am Not There.[104] It additionally served as a visible reference for the Coen brothers’ 2013 movie Inside Llewyn Davis.[105]

A duplicate of the vinyl album itself is a vital prop in Jacques Rivette’s 1969 movie L’Amour fou. In a single key scene, the male lead, Sebastien (Jean-Pierre Kalfon), is within the condominium of his girlfriend, Marta (Josée Destoop), serving to her kind via LPs she may probably re-sell so as to increase some fast money. He holds up her copy of The Freewheelin’ Bob Dylan, which she declines to promote on the grounds that she nonetheless listens to it.[106]

Taylor Swift cited the album because the inspiration for her tune “Betty” on Folklore. As “Betty”‘s co-writer, The Nationwide’s Aaron Dessner defined to Vulture, “She wished it to have an early Bob Dylan, type of a Freewheelin’ Bob Dylan really feel”.[107]

Legacy

The success of Freewheelin reworked the general public notion of Dylan. Earlier than the album’s launch, he was one amongst many folk-singers. Afterwards, on the age of twenty-two, Dylan was thought to be a significant artist, even perhaps a spokesman for disaffected youth. As one critic described the transformation, “In only over a yr, a younger plagiarist had been reborn as a songwriter of substance, and his first album of totally realized unique materials obtained the Nineteen Sixties off their musical beginning block.”[108] Janet Maslin wrote of the album: “These have been the songs that established him because the voice of his technology—somebody who implicitly understood how involved younger People felt about nuclear disarmament and the rising Civil Rights Motion: his combination of ethical authority and nonconformity was maybe probably the most well timed of his attributes”.[109]

This title of “Spokesman of a Era” was seen by Dylan with disgust in later years. He got here to really feel it was a label that the media had pinned on him, and in his autobiography, Chronicles, Dylan wrote: “The press by no means let up. Every so often I must stand up and supply myself for an interview so they would not beat the door down. Later an article would hit the streets with the headline “Spokesman Denies That He is A Spokesman”. I felt like a bit of meat that somebody had thrown to the canines”.[110]

The album secured for Dylan an “unstoppable cult following” of followers who most well-liked the harshness of his performances to the softer cowl variations launched by different singers.[5] Richard Williams has prompt that the richness of the imagery in Freewheelin reworked Dylan right into a key performer for a burgeoning faculty viewers hungry for a brand new cultural complexity: “For college students whose examination programs included Eliot and Yeats, right here was one thing that flattered their increasing mind whereas interesting to the teenage insurgent of their early-sixties souls. James Dean had walked round studying James Joyce; right here have been each in a single package deal, the phrases and the angle set to music.”[111] Andy Gill provides that within the few months between the discharge of Freewheelin in Might 1963, and Dylan’s subsequent album The Instances They Are A-Changin’ in January 1964, Dylan grew to become the most popular property in American music, stretching the boundaries of what had been beforehand seen as a collegiate folks music viewers.[112]

Essential opinion about Freewheelin has been constantly favorable within the years since its launch. Dylan biographer Howard Sounes referred to as it “Bob Dylan’s first nice album”.[56] In a survey of Dylan’s work revealed by Q journal in 2000, the Freewheelin album was described as “simply the most effective of [Dylan’s] acoustic albums and a quantum leap from his debut—which reveals the frantic tempo at which Dylan’s thoughts was shifting.” The journal went on to remark, “You possibly can see why this album obtained The Beatles listening. The songs at its core should have seemed like communiques from one other aircraft”.[113]

For Patrick Humphries, “not often has one album so successfully mirrored the instances which produced it. Freewheelin spoke on to the issues of its viewers. and addressed them in a mature and reflective method: it mirrored the state of the nation.”[108] Stephen Thomas Erlewine’s verdict on the album within the AllMusic information was: “It is arduous to overestimate the significance of The Freewheelin’ Bob Dylan, the report that firmly established Dylan as an unparalleled songwriter … That is wealthy, imaginative music, capturing the sound and spirit of America as a lot as that of Louis Armstrong, Hank Williams, or Elvis Presley. Dylan, in some ways, recorded music that equaled this, however he by no means topped it”.[85]

In March 2000, Van Morrison instructed the Irish rock journal Sizzling Press in regards to the impression that Freewheelin made on him: “I believe I heard it in a report store in Smith Avenue. And I simply thought it was unbelievable that this man’s not singing about ‘moon in June’ and he is getting away with it. That is what I assumed on the time. The subject material wasn’t pop songs, ya know, and I assumed this type of opens the entire thing up … Dylan put it into the mainstream that this may very well be carried out”.[114]

Freewheelin was one in every of 50 recordings chosen by the Library of Congress to be added to the Nationwide Recording Registry in 2002. The quotation learn: “This album is taken into account by some to be a very powerful assortment of unique songs issued within the Nineteen Sixties. It contains “Blowin’ within the Wind,” the period’s widespread and highly effective protest anthem.”[115] The next yr (2003), Rolling Stone Journal ranked it quantity 97 on their checklist of the five hundred biggest albums of all time,[94] sustaining the ranking in a 2012 revised checklist,[116] earlier than dropping to quantity 255 in a 2020 revised checklist.[117]

The album was included in Robert Christgau’s “Fundamental Document Library” of Fifties and Nineteen Sixties recordings, revealed in Christgau’s Document Information: Rock Albums of the Seventies (1981).[118] It was additionally included in Robert Dimery’s 1001 Albums You Should Hear Earlier than You Die.[119]
It was voted quantity 127 within the third version of Colin Larkin’s All Time Prime 1000 Albums (2000).[120]

Monitor itemizing

All tracks are written by Bob Dylan, besides the place famous.

Facet one[26]
No. Title Recorded Size
1. “Blowin’ within the Wind” July 9, 1962 2:48
2. “Woman from the North Nation” April 24, 1963 3:22
3. “Masters of Conflict” April 24, 1963 4:34
4. “Down the Freeway” July 9, 1962 3:27
5. Bob Dylan’s Blues” July 9, 1962 2:23
6. “A Onerous Rain’s A-Gonna Fall” December 6, 1962 6:55
Complete size: 23:29
Facet two
No. Title Recorded Size
1. “Do not Suppose Twice, It is All Proper” November 14, 1962 3:40
2. Bob Dylan’s Dream” April 24, 1963 5:03
3. “Oxford City” December 6, 1962 1:50
4. “Talkin’ World Conflict III Blues” April 24, 1963 6:28
5. “Corrina, Corrina” (conventional) October 26, 1962 2:44
6. “Honey, Simply Permit Me One Extra Likelihood” (Bob Dylan, Henry Thomas) July 9, 1962 2:01
7. “I Shall Be Free” December 6, 1962 4:49
Complete size: 26:35

Word
Some very early first urgent copies contained 4 songs that have been in the end changed by Columbia on all subsequent pressings. These songs have been “Rocks and Gravel”, “Let Me Die in My Footsteps,” “Rambling Playing Willie” and “Talkin’ John Birch Blues”. Copies of the “unique” model of The Freewheelin’ Bob Dylan (in each mono and stereo) are extraordinarily uncommon.

The unique monitor itemizing was as follows:

Facet one
No. Title Recorded Size
1. “Blowin’ within the Wind” July 9, 1962 2:46
2. “Rocks and Gravel” November 1, 1962 2:21
3. “A Onerous Rain’s A-Gonna Fall” December 6, 1962 6:48
4. “Down the Freeway” July 9, 1962 3:10
5. Bob Dylan’s Blues” July 9, 1962 2:19
6. “Let Me Die in My Footsteps” April 25, 1962 4:05
Complete size: 21:29
Facet two
No. Title Recorded Size
1. “Do not Suppose Twice, It is All Proper” November 14, 1962 3:37
2. “Gamblin’ Willie’s Useless Man’s Hand” April 24, 1962 4:11
3. “Oxford City” December 6, 1962 1:47
4. “Corrina, Corrina” (Conventional) October 26, 1962 2:42
5. “Talkin’ John Birch Blues” April 24, 1962 3:45
6. “Honey, Simply Permit Me One Extra Likelihood” (Dylan, Thomas) July 9, 1962 1:57
7. “I Shall Be Free” December 6, 1962 4:46
Complete size: 22:45

Personnel

  • Bob Dylan – acoustic guitar, harmonica, vocals

Extra musicians

  • Howie Collins – guitar on “Corrina, Corrina”
  • Leonard Gaskin – double bass on “Corrina, Corrina”
  • Bruce Langhorne – guitar on “Corrina, Corrina”
  • Herb Lovelle – drums on “Corrina, Corrina”
  • Dick Wellstood – piano on “Corrina, Corrina”

Technical

  • John H. Hammond – manufacturing
  • Nat Hentoff  – liner notes
  • Don Hunstein – album cowl photographer
  • Tom Wilson – manufacturing

Charts

Chart (1963) Peak
place
US Billboard 200[121] 22
Chart (1964) Peak
place
UK Albums Chart[122] 1
Chart (2020) Peak
place
Portuguese Albums (AFP)[123] 33

Certifications

Area Certification Licensed models/gross sales
United Kingdom (BPI)[124] Gold 100,000^
United States (RIAA)[125] Platinum 1,000,000^

^ Shipments figures based mostly on certification alone.

Notes

Footnotes

  • Bauldie, John (1991). The Bootleg Sequence Volumes 1–3 (Uncommon & Unreleased) 1961–1991 (booklet). Bob Dylan. New York: Columbia Data.
  • The Beatles (2000). The Beatles Anthology. Cassell & Co. ISBN 0-304-35605-0.
  • Björner, Olof (October 21, 2010). “Nonetheless on the Highway: 1962 Live shows and Recording Classes”. Bjorner.com. Archived from the unique on November 20, 2010. Retrieved November 12, 2010.
  • Bob Dylan: The Freewheelin’ Bob Dylan”. Acclaimedmusic.web. Archived from the unique on April 25, 2010. Retrieved April 25, 2010.
  • Brackett, Nathan; Hoard, Christian (2004). The New Rolling Stone Album Information (Media notes) (4th ed.). Hearth. ISBN 0-7432-0169-8. Archived from the unique on October 12, 2019. Retrieved August 6, 2019.
  • “Broadside Ballads, Vol. 6: Broadside Reunion”. Folkways Data. Archived from the unique on Might 14, 2013. Retrieved Might 19, 2013.
  • Browne, David (October 30, 2005). “EW evaluations: Kanye West and Bob Dylan”. CNN. Archived from the unique on August 25, 2010. Retrieved April 3, 2010.
  • Carlson, Jen (April 18, 2006). “NYC Album Artwork: The Freewheelin’ Bob Dylan”. Gothamist. Archived from the unique on March 28, 2010. Retrieved March 4, 2010.
  • Collette, Doug (November 12, 2005). “Bob Dylan: No Course Dwelling & Stay on the Gaslight 1962”. Allaboutjazz.com. Archived from the unique on June 5, 2011. Retrieved April 3, 2010.
  • Cott, Jonathan, ed. (2006). Dylan on Dylan: The Important Interviews. Hodder & Stoughton. ISBN 0-340-92312-1.
  • Crowe, Cameron (1985). Biograph (booklet). Bob Dylan. New York: Columbia Data.
  • Dylan, Bob (2004). Chronicles: Quantity One. Simon and Schuster. ISBN 0-7432-2815-4.
  • “Dylan within the Madhouse”. BBC TV. October 14, 2007. Archived from the unique on Might 14, 2011. Retrieved August 31, 2009.
  • Erlewine, Stephen Thomas. “The Freewheelin’ Bob Dylan”. AllMusic.com. Retrieved March 11, 2010.
  • Escott, Colin (2010). The Bootleg Sequence Vol. 9 – The Witmark Demos: 1962–1964 (booklet). Bob Dylan. New York: Columbia Data.
  • Flanagan, Invoice (Might 29, 1991). “Dylan Catalog Revisited”. Leisure Weekly. Archived from the unique on September 28, 2011. Retrieved September 10, 2011.
  • “The Freewheelin’ Bob Dylan”. Rolling Stone. Archived from the unique on February 8, 2013. Retrieved January 27, 2013.
  • Gill, Andy (1999). Traditional Bob Dylan: My Again Pages. Carlton. ISBN 1-85868-599-0.
  • Gilliland, John (1969). “Ballad in Plain D: An introduction to the Bob Dylan period” (audio). Pop Chronicles. College of North Texas Libraries.
  • Gorodetsky, Eddie (2005). No Course Dwelling: The Soundtrack—The Bootleg Sequence Quantity 7 (booklet). Bob Dylan. New York: Columbia Data.
  • Grey, Michael (2006). The Bob Dylan Encyclopedia. Continuum Worldwide. ISBN 0-8264-6933-7. Archived from the unique on September 9, 2019. Retrieved August 6, 2019.
  • Harris, John, ed. (2000). “Q Dylan: Most Bob! The Definitive Celebration of Rock’s Final Genius”. Q journal.
  • Harvey, Todd (2001). The Formative Dylan: Transmission & Stylistic Influences, 1961–1963. The Scarecrow Press. ISBN 0-8108-4115-0.
  • Hentoff, Nat (1963). The Freewheelin’ Bob Dylan (Media notes). Bob Dylan. New York: Columbia Data.
  • Heylin, Clinton (1995). Bob Dylan: The Recording Classes: 1960–1994. St. Martin’s Griffin. ISBN 0-312-15067-9. Archived from the unique on July 22, 2011. Retrieved January 8, 2011.
  • Heylin, Clinton (1996). Bob Dylan: A Life In Stolen Moments: Day by Day 1941–1995. Schirmer Books. ISBN 0-7119-5669-3.
  • Heylin, Clinton (2000). Bob Dylan: Behind the Shades Revisited. Perennial Currents. ISBN 0-06-052569-X. Archived from the unique on February 22, 2014. Retrieved January 8, 2011.
  • Heylin, Clinton (2003). Can You Really feel the Silence? Van Morrison: A New Biography. Chicago Evaluation Press. ISBN 1-55652-542-7.
  • Heylin, Clinton (2009). Revolution within the Air: The Songs of Bob Dylan, Quantity One: 1957–73. Constable. ISBN 978-1-55652-843-9. Archived from the unique on June 6, 2014. Retrieved January 8, 2011.
  • Humphries, Patrick (1991). Oh No! Not One other Bob Dylan Ebook. Sq. One Books. ISBN 1-872747-04-3.
  • Levy, Joe, ed. (2005). The Biggest 500 Albums of All Time. Wenner Books. ISBN 1-932958-61-4.
  • Miller, Jim, ed. (1981). The Rolling Stone Historical past of Rock & Roll. Picador. ISBN 0-330-26568-7.
  • “The Nationwide Recording Registry”. The Library of Congress. June 9, 2002. Archived from the unique on March 15, 2015. Retrieved February 28, 2010.
  • Rotolo, Suze (2009). A Freewheelin’ Time. Aurum Press. ISBN 978-0-7679-2688-1.
  • Scaduto, Anthony (2001). Bob Dylan. Helter Skelter. ISBN 1-900924-23-4.
  • Sharp, Johnny (March 1, 2007). “Scrap that recording—it will turn out to be an prompt basic”. The Guardian. Archived from the unique on August 8, 2014. Retrieved March 20, 2010.
  • Shelton, Robert (2003). No Course Dwelling. Da Capo Press. ISBN 0-306-81287-8.
  • Sounes, Howard (2001). Down The Freeway: The Life Of Bob Dylan. Grove Press. ISBN 0-8021-1686-8.
  • Spitz, Bob (1989). Dylan: A Biography. W. W. Norton & Co. ISBN 0-393-30769-7.
  • Thompson, Dave (2002). The Music Lover’s Information to Document Amassing. Backbeat Books. ISBN 0-87930-713-7.
  • “Three Tune Sampler”. iTunes. November 14, 2005. Retrieved Might 19, 2013.
  • Williams, Richard (1992). Dylan: a person referred to as alias. Bloomsbury. ISBN 0-7475-1084-9.


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