Carl Lee Perkins (April 9, 1932 – January 19, 1998) was an American singer, songwriter, and guitarist who recorded most notably at the Sun Studio, in Memphis, beginning in 1954. Amongst his best-known songs are “Blue Suede Shoes”, “Matchbox” and “Everybody’s Trying to Be My Baby”.
According to Charlie Daniels, “Carl Perkins’ songs personified the rockabilly era, and Carl Perkins’ sound personifies the rockabilly sound more so than anybody involved in it, because he never changed.” Perkins’s songs were recorded by artists (and friends) as influential as Elvis Presley, The Beatles, Jimi Hendrix, Johnny Cash and Eric Clapton which further established his place in the history of popular music. Paul McCartney said “if there were no Carl Perkins, there would be no Beatles.”
Called “the King of Rockabilly”, he was inducted into the Rock and Roll Hall of Fame, the Rockabilly Hall of Fame, the Memphis Music Hall of Fame, and the Nashville Songwriters Hall of Fame. He also received a Grammy Hall of Fame Award.
Perkins was born in Tiptonville, Tennessee, the son of poor sharecroppers Louise and Buck Perkins (misspelled on his birth certificate as “Perkings”). Beginning at the age of six, he worked long hours in the cotton fields with his family, whether school was in session or not. He grew up hearing southern gospel music sung by white friends in church and by black field workers working in the cotton fields. On Saturday nights Perkins would listen to the Grand Ole Opry on his father’s radio. Roy Acuff’s broadcasts inspired him to ask his parents for a guitar. Since they could not afford one, his father made one from a cigar box and a broomstick. Eventually, a neighbor sold his father a worn-out Gene Autry guitar. Perkins could not afford new strings, and when they broke he had to retie them. The knots cut his fingers when he would slide to another note, so he began bending the notes, stumbling onto a type of blue note.
Perkins taught himself parts of Acuff’s “Great Speckled Bird” and “The Wabash Cannonball”, having heard them played on the Opry. He also cited Bill Monroe’s fast playing and vocals as an early influence. Perkins also learned from John Westbrook, an African-American field worker in his sixties who played blues and gospel music on an old acoustic guitar. Westbrook advised Perkins to “Get down close to it. You can feel it travel down the strangs, come through your head and down to your soul where you live. You can feel it. Let it vib-a-rate.”
In January 1947, the Perkins family moved from Lake County, Tennessee, to Madison County. Now in closer proximity to Memphis, Perkins was exposed to a greater variety of music. At age fourteen, he wrote a country song called “Let Me Take You to the Movie, Magg”. It was that song that eventually persuaded Sam Phillips to sign Perkins to his Sun Records label.
Beginnings as a performer
Perkins and his brother Jay had their first paying job (in tips) as entertainers at the Cotton Boll tavern on Highway 45, twelve miles south of Jackson, starting on Wednesday nights during late 1946. Perkins was 14 years old. One of the songs they played was an up-tempo country blues shuffle version of Bill Monroe’s “Blue Moon of Kentucky”. Free drinks were one of the perks of playing in a tavern, and Perkins drank four beers that first night. Within a month Carl and Jay began playing Friday and Saturday nights at the Sand Ditch tavern, near the western boundary of Jackson. Both places were the scene of occasional fights, and both of the Perkins brothers gained a reputation as fighters.
During the next couple of years the Perkins brothers began playing other taverns around Bemis and Jackson, including El Rancho, the Roadside Inn, and the Hilltop, as they became better known. Carl persuaded his brother Clayton to play the upright bass to complete the sound of the band.
Perkins began performing regularly on WTJS in Jackson during the late 1940s as a sometime member of the Tennessee Ramblers. He also appeared on Hayloft Frolic, on which he performed two songs, sometimes including “Talking Blues” as done by Robert Lunn on the Grand Ole Opry. Perkins and then his brothers began appearing on The Early Morning Farm and Home Hour. Positive listener response resulted in a 15-minute segment sponsored by Mother’s Best Flour. By the end of the 1940s, the Perkins Brothers were the best-known band in the Jackson area. Perkins had day jobs during most of these early years, including picking cotton, working at various factories and plants, and as a pan greaser for the Colonial Baking Company.
In January 1953, Perkins married Valda Crider, whom he had known for a number of years. When his job at the bakery was reduced to part-time, Valda, who had her own job, encouraged Perkins to begin working the taverns full-time. He began playing six nights a week. Later the same year he added W.S. “Fluke” Holland to the band as a drummer. Holland had no previous experience as a musician but had a good sense of rhythm.
Malcolm Yelvington, who remembered the Perkins Brothers when they played in Covington, Tennessee, in 1953, noted that Carl had an unusual blues-like style all his own. By 1955 Perkins had made tapes of his material with a borrowed tape recorder, and he sent them to companies such as Columbia and RCA, with addresses like “Columbia Records, New York City”. “I had sent tapes to RCA and Columbia and had never heard a thing from ’em.”
In July 1954, Perkins and his wife heard a new release of “Blue Moon of Kentucky” by Elvis Presley, Scotty Moore and Bill Black on the radio. As the song faded out, Perkins said, “There’s a man in Memphis who understands what we’re doing. I need to go see him.” According to another telling of the story, it was Valda who told him that he should go to Memphis. Later, Presley told Perkins he traveled to Jackson and had seen Perkins and his group playing at El Rancho.
Years later the musician Gene Vincent told an interviewer, rather than “Blue Moon of Kentucky” being a “new sound”, “a lot of people were doing it before that, especially Carl Perkins.”
Perkins successfully auditioned for Sam Phillips at Sun Records in early October 1954. “Movie Magg” and “Turn Around” were released on the Phillips-owned Flip label (151) on March 19, 1955. “Turn Around” became a regional success, and Perkins was booked to appear along with Elvis Presley at theaters in Marianna and West Memphis, Arkansas. Johnny Cash and the Tennessee Two were the next musicians to be added to the performances by Sun musicians. During the summer of 1955 there were junkets to Little Rock and Forrest City, Arkansas and to Corinth and Tupelo, Mississippi. Again performing at El Rancho, the Perkins brothers were involved in an automobile accident in Woodside, Delaware. A friend, who had been driving, was pinned by the steering wheel and had to be dragged from the burning car by Perkins. Clayton had been thrown from the car but was not seriously injured.
Another Perkins song, “Gone Gone Gone”, released by Sun in October 1955, was also a regional success. It was a “bounce blues in flavorsome combined country and r.&b. idioms”. The B-side was the more traditional country song “Let the Jukebox Keep On Playing”.
Commenting on Perkins’s playing, Sam Phillips has been quoted as saying, “I knew that Carl could rock and in fact he told me right from the start that he had been playing that music before Elvis came out on record … I wanted to see whether this was someone who could revolutionize the country end of the business.”
Also in the autumn of 1955, Perkins wrote “Blue Suede Shoes” after seeing a dancer get angry with his date for scuffing up his shoes. Several weeks later, on December 19, 1955, Perkins and his band recorded the song during a session at Sun Studio in Memphis. Phillips suggested changes to the lyrics (“Go, cat, go”), and the band changed the end of the song to a “boogie vamp”. Presley left Sun Records for RCA in November, and Perkins was left as the primary rockabilly artist at Sun. In December that year, Phillips told him, “Carl Perkins, you’re my rockabilly cat now.” Released on January 1, 1956, “Blue Suede Shoes” was a massive chart success. In the United States, it reached number 1 on Billboard magazine’s country music chart (the only number 1 success he would have) and number 2 on the Billboard Best Sellers popular music chart. On March 17, Perkins became the first country artist to reach number 3 on the rhythm and blues charts. That night, Perkins performed the song on ABC-TV’s Ozark Jubilee, his television debut (Presley performed it for the second time that same night on CBS-TV’s Stage Show; he’d first sung it on the program on February 11).
In the United Kingdom, the song reached number 10 on the British charts. It was the first record by a Sun artist to sell a million copies. The B side, “Honey Don’t”, was covered by The Beatles, Wanda Jackson and (in the 1970s) T. Rex. John Lennon sang lead on the song when The Beatles performed it, before it was given to Ringo Starr to sing. Lennon also performed the song on the Lost Lennon Tapes.
After playing a show in Norfolk, Virginia, on March 21, 1956, the Perkins Brothers Band headed to New York City for a March 24 appearance on NBC-TV’s Perry Como Show. Shortly before sunrise on March 22, on Route 13 between Dover and Woodside, Delaware, their vehicle hit the back of a pickup truck and went into a ditch containing about a foot of water. Holland had to pull Perkins, unconscious, from the water. Perkins had sustained three fractured vertebrae in his neck, a severe concussion, a broken collar bone, and lacerations all over his body. Perkins remained unconscious for an entire day. The driver of the pickup truck, Thomas Phillips, a 40-year-old farmer, died when he was thrown into the steering wheel. Jay Perkins had a fractured neck and severe internal injuries; complications from these injuries led to a brain tumor, and he died in 1958.
On March 23, Elvis’s band members Bill Black, Scotty Moore and D.J. Fontana visited Perkins on their way to New York to appear with Presley. Fontana recalled Perkins saying, “You looked like a bunch of angels coming to see me.” Black told him, “Hey man, Elvis sends his love”, and lit a cigarette for him, even though the patient in the next bed was in an oxygen tent. Presley also telegraphed Perkins his well wishes.
“Blue Suede Shoes” had sold more than 500,000 copies by March 22, and Sam Philips had planned to celebrate by presenting Perkins with a gold record on The Perry Como Show. While Perkins recuperated from his injuries, “Blue Suede Shoes” reached number 1 on regional pop, R&B, and country charts. It also reached number 2 on the Billboard pop and country charts, below Elvis Presley’s “Heartbreak Hotel”. By mid-April, more than one million copies of “Blue Suede Shoes” had been sold. On April 3, while still recuperating in Jackson, Perkins watched Presley perform “Blue Suede Shoes” on his first appearance on The Milton Berle Show, which was his third performance of the song on national television.
Return to recording and touring
“Dixie Fried” (2:27)
The rockabilly song “Dixie Fried” performed by Carl Perkins
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Perkins returned to live performances on April 21, 1956, beginning with an appearance in Beaumont, Texas, with the “Big D Jamboree” tour. Before he resumed touring, Sam Phillips arranged a recording session at Sun, with Ed Cisco filling in for the still-recuperating Jay. By mid-April, “Dixie Fried”, “Put Your Cat Clothes On”, “Right String, Wrong Yo-Yo”, “You Can’t Make Love to Somebody”, “Everybody’s Trying to Be My Baby”, and “That Don’t Move Me” had been recorded.
Beginning early that summer, Perkins was paid $1,000 to play just two songs a night on the extended tour of “Top Stars of ’56”. Other performers on the tour were Chuck Berry and Frankie Lymon and the Teenagers. When Perkins and the group entered the stage in Columbia, South Carolina, he was shocked to see a teenager with a bleeding chin pressed against the stage by the crowd. During the first guitar intermission of “Honey Don’t” they were waved offstage and into a vacant dressing room behind a double line of police officers. Appalled by what he had seen and experienced, Perkins left the tour. Appearing with Gene Vincent and Lillian Briggs in a “rock ‘n’ roll show”, he helped pull 39,872 people to the Reading Fair in Pennsylvania on a Tuesday night in late September. A full grandstand and one thousand people stood in a heavy rain to hear Perkins and Briggs at the Brockton Fair in Massachusetts.
Sun issued more Perkins songs in 1956: “Boppin’ the Blues”/”All Mama’s Children” (Sun 243), the B side co-written with Johnny Cash, and “Dixie Fried”/”I’m Sorry, I’m Not Sorry” (Sun 249). “Matchbox”/”Your True Love” (Sun 261) came out in February 1957. “Boppin’ the Blues” reached number 47 on the Cashbox pop singles chart, number 9 on the Billboard country and western chart, and number 70 on the Billboard Top 100 chart.
“Matchbox” is considered a rockabilly classic. It was recorded during an impromptu session with Perkins, Presley, Johnny Cash, and Jerry Lee Lewis, informally referred to as the Million Dollar Quartet. The full recordings from this session, a selection of gospel, country, and R&B songs, were released in 1990.
On February 2, 1957, Perkins again appeared on Ozark Jubilee, singing “Matchbox” and “Blue Suede Shoes”. He also made at least two appearances on Town Hall Party in Compton, California, in 1957, singing both songs. Those performances were included in the Western Ranch Dance Party series filmed and distributed by Screen Gems.
He released “That’s Right”, co-written with Johnny Cash, backed with the ballad “Forever Yours”, as Sun single 274 in August 1957. Neither side made it onto the charts.
The 1957 film Jamboree included a Perkins performance of “Glad All Over”. The song, written by Aaron Schroeder, Sid Tepper, and Roy C. Bennett, was released by Sun in January 1958.
Life after Sun
In 1958, Perkins moved to Columbia Records, for which he recorded “Jive After Five”, “Rockin’ Record Hop”, “Levi Jacket (And a Long Tail Shirt)”, “Pop, Let Me Have the Car”, “Pink Pedal Pushers”, “Any Way the Wind Blows”, “Hambone”, “Pointed Toe Shoes”, “Sister Twister”, “L-O-V-E-V-I-L-L-E” and other songs.
In 1959, he wrote the country-and-western song “The Ballad of Boot Hill” for Johnny Cash, who recorded it on an EP for Columbia Records. In the same year, Perkins was cast in a Filipino movie produced by People’s Pictures, Hawaiian Boy, in which he sang “Blue Suede Shoes”.
He performed often at the Golden Nugget Casino in Las Vegas in 1962 and 1963. During this time he toured nine Midwestern states and made a tour in Germany.
In May 1964, Perkins toured Britain with Chuck Berry. Perkins had been reluctant to undertake the tour, convinced that as forgotten as he was in America, he would be even more obscure in the U.K., and he did not want to be humiliated by drawing meager audiences. Berry assured him that they had remained much more popular in Britain since the 1950s than they had in the United States and that there would be large crowds of fans at every show. The Animals backed the two performers. On the last night of the tour, Perkins attended a party where he sat on the floor sharing stories, playing guitar, and singing songs while surrounded by The Beatles. Ringo Starr asked if he could record “Honey Don’t”. Perkins answered, “Man, go ahead, have at it.” The Beatles went on to record covers of “Matchbox”, “Honey Don’t” and “Everybody’s Trying to Be My Baby” (recorded by Perkins, adapted from a song originally recorded by Rex Griffin in 1936, with new music by Perkins; a song with the same title was recorded by Roy Newman in 1938). The Beatles recorded two versions of “Glad All Over” in 1963. Another tour to Germany followed in the autumn.
He released “Big Bad Blues” backed with “Lonely Heart” as a single on Brunswick Records with the Nashville Teens in June 1964.
In 1966, Perkins signed with Dollie Records and released as his first single “Country Boy’s Dream” which reached #22 in the country charts.
While on tour with the Johnny Cash troupe in 1968, Perkins went on a four-day drinking binge that ended in him hallucinating floridly and passing out. When he regained consciousness, he went out to the beach with his last bottle of alcohol. In his autobiography, he described falling to his knees and declaring, “Lord, … I’m gonna throw this bottle. I’m gonna show You that I believe in you,” before hurling the bottle into the sea and vowing to remain sober. Perkins and Cash, who had his own substance-abuse issues, supported each other in their bid to remain sober.
In 1968, Cash recorded the Perkins-written “Daddy Sang Bass” (which incorporates parts of the American standard “Will the Circle Be Unbroken”) and scored No. 1 on the country music charts for six weeks. “Daddy Sang Bass” was a Country Music Association nominee for Song of the Year. Perkins also played lead guitar on Cash’s single “A Boy Named Sue”, recorded live at San Quentin prison, which went to No. 1 for five weeks on the country chart and No. 2 on the pop chart (the performance was also filmed by Granada Television for broadcast). Perkins spent a decade in Cash’s touring revue, often as an opening act for Cash (as at the Folsom and San Quentin prison concerts, at which he was recorded singing “Blue Suede Shoes” and “Matchbox” before Cash took the stage; these performances were not released until the 2000s). He also appeared on the television seriesThe Johnny Cash Show.
On the television program Kraft Music Hall on April 16, 1969, hosted by Cash, Perkins performed his song “Restless”.
Perkins and Bob Dylan wrote “Champaign, Illinois” in 1969. Dylan was recording in Nashville from February 12 to February 21 for his album Nashville Skyline. He met Perkins when he appeared on The Johnny Cash Show on June 7. Dylan had writer’s block and was unable to complete the song until Perkins contributed a rhythm and some lyrics, upon which Dylan said to him, “Your song. Take it. Finish it.” The co-authored song was included on Perkins’s 1969 album On Top.
Perkins was also united in 1969 by Columbia’s Murray Krugman with a rockabilly group based in New York’s Hudson Valley, the New Rhythm and Blues Quartet. Perkins and NRBQ recorded Boppin’ the Blues, which featured the group backing him on songs including his staples “Turn Around” and “Boppin’ the Blues” and included songs recorded separately by Perkins and NRBQ. One of his TV appearances with Cash was on the popular country series Hee Haw, on February 16, 1974.
Tommy Cash (brother of Johnny Cash) had a Top Ten country gospel hit in 1970 with a recording of the song “Rise and Shine”, written by Perkins. It reached number 9 on the Billboard country chart and number 8 on the Canadian country chart. Arlene Harden had a Top 40 country hit in 1971 with the Perkins composition “True Love Is Greater Than Friendship”, from the film Little Fauss and Big Halsy (1971), which reached number 22 on the Billboard country chart and number 33 on the Billboard Adult Contemporary chart for Al Martino that same year.
After a long legal struggle with Sam Phillips over royalties, Perkins gained ownership of his songs in the 1970s.
The rockabilly revival of the 1980s helped bring Perkins back into the limelight. In 1981 Perkins recorded the song “Get It” with Paul McCartney, providing vocals and playing guitar with the former Beatle; according to one source, he fully co-wrote the song with McCartney. This recording was included on the chart-topping album Tug of War, released in 1982. During 1985, he re-recorded “Blue Suede Shoes” with Lee Rocker and Slim Jim Phantom of the Stray Cats, as part of the soundtrack for the film Porky’s Revenge.
In October 1985, George Harrison, Eric Clapton, Dave Edmunds, Lee Rocker, Rosanne Cash and Ringo Starr appeared with him on stage for a television special, Blue Suede Shoes: A Rockabilly Session, which was taped live at the Limehouse Studios in London. The show was shown on Channel 4 on January 1, 1986. Perkins performed 16 songs, with two encores, in an extraordinary performance. He and his friends ended the session by singing his most famous song, 30 years after its writing, which brought Perkins to tears. The concert special was a highlight of his later career and has been praised by fans for the spirited performances delivered by Perkins and his guests. The concert was released for DVD by Snapper Music in 2006.
Perkins was inducted into the Nashville Songwriters Hall of Fame in 1985. Wider recognition of his contribution to music came with his induction into the Rock and Roll Hall of Fame in 1987. “Blue Suede Shoes” was chosen as one of the Rock and Roll Hall of Fame’s “500 Songs That Shaped Rock and Roll”. The song also received a Grammy Hall of Fame Award. Perkins was inducted into the Rockabilly Hall of Fame in recognition of his pioneering contribution to the genre.
Perkins’s only notable film performance as an actor was in John Landis’s 1985 film Into the Night, a cameo-laden film that includes a scene in which characters played by Perkins and David Bowie die by each other’s hand.
Perkins returned to the Sun Studio in Memphis in 1986, joining Cash, Jerry Lee Lewis and Roy Orbison on the album Class of ’55. The record was a tribute to their early years at Sun and, specifically, the Million Dollar Quartet jam session involving Perkins, Presley, Cash, and Lewis in 1956.
In 1989, Perkins co-wrote and played guitar on the Judds’ number 1 country hit, “Let Me Tell You About Love”. Also in that year, he signed a record deal with Platinum Records for the album Friends, Family, and Legends, featuring performances by Chet Atkins, Travis Tritt, Steve Wariner, Joan Jett and Charlie Daniels, along with Paul Shaffer and Will Lee. During the production of this album, Perkins developed throat cancer.
He again returned to Sun Studio to record with Scotty Moore, Presley’s first guitar player, for the album 706 ReUNION, released by Belle Meade Records, which also featured D. J. Fontana, Marcus Van Storey and the Jordanaires. In 1993, Perkins performed with the Kentucky Headhunters in a music video remake of his song “Dixie Fried”, filmed in Glasgow, Kentucky. In 1994, he teamed up with Duane Eddy and the Mavericks to contribute “Matchbox” to the AIDS benefit album Red Hot + Country, produced by the Red Hot Organization.
His last album, Go Cat Go!, released by the independent label Dinosaur Records in 1996, features Perkins singing duets with Bono, Johnny Cash, John Fogerty, George Harrison, Paul McCartney, Willie Nelson, Tom Petty, Paul Simon, and Ringo Starr.
His last major concert performance was the Music for Montserrat all-star charity concert at London’s Royal Albert Hall on September 15, 1997, four months before his death.
A strong advocate for the prevention of child abuse, Perkins worked with the Jackson Exchange Club to establish the first center for the prevention of child abuse in Tennessee and the fourth in the nation. Proceeds from a concert planned by Perkins were combined with a grant from the National Exchange Club to establish the Prevention of Child Abuse in October 1981. For years its annual Circle of Hope Telethon generated one quarter of the center’s annual operating budget.
Perkins had one daughter, Debbie, and three sons, Stan, Greg, and Steve.
Stan, his first-born son, is also a recording artist. In 2010, he joined forces with Jerry Naylor to record a duet tribute, “To Carl: Let it Vibrate”. Stan has been inducted into the Rockabilly Hall of Fame.
Perkins died on January 19, 1998, at the age of 65 at Jackson-Madison County Hospital in Jackson, Tennessee, from throat cancer. He had suffered several minor strokes the previous month. Among the mourners at his funeral at Lambuth University were George Harrison, Jerry Lee Lewis, Wynonna Judd, Garth Brooks, Nashville agent Jim Dallas Crouch, Johnny Cash and June Carter Cash. Perkins was interred at Ridgecrest Cemetery in Jackson.
Perkins’s widow, Valda deVere Perkins, died on November 15, 2005, in Jackson.
As a guitarist Perkins used finger picking, imitations of the pedal steel guitar, palm muting, arpeggios, advantageous use of open strings, single and double string bending, chromaticism, country and blues licks, and tritone and other tonality clashing licks (short phrases that include notes from other keys and move in logical, often symmetric patterns). A rich vocabulary of chords including sixth and thirteenth chords, ninth and add nine chords, and suspensions, show up in rhythm parts and solos. Free use of syncopations, chord anticipations (arriving at a chord change before the other players, often by an eighth-note) and crosspicking (repeating a three eighth-note pattern so that an accent falls variously on the upbeat or downbeat) were also in his bag of tricks.
Perkins wrote his autobiography, Go, Cat, Go, published in 1996, in collaboration with music writer David McGee in 1996. Plans for a biographical film were announced by Santa Monica-based production company Fastlane Entertainment. was slated for release in 2009.
In 2004, Rolling Stone ranked Perkins number 99 on its list of the 100 Greatest Artists of All Time.
Many of The Beatles’ live shows were full of Rock ‘N’ Roll covers of Carl Perkins’s songs such as ‘Everybody’s Trying To Be My Baby’, ‘Matchbox’ and ‘Honey Don’t’.
His version of “Blue Suede Shoes” was included by the National Recording Preservation Board in the National Recording Registry of the Library of Congress in 2006.
The Perkins family still owns his songs.
Drive-By Truckers, on their album The Dirty South, recorded a song about him, “Carl Perkins’ Cadillac”.
The Carl Perkins Arena in Jackson, Tennessee, is named in his honor.
George Thorogood and the Destroyers covered “Dixie Fried” on their 1985 album Maverick. The Kentucky Headhunters also covered the song, as did Keith de Groot on his 1968 album No Introduction Necessary, with Jimmy Page on lead guitar and John Paul Jones on bass.
Ricky Nelson covered Perkins’s “Boppin’ the Blues” and “Your True Love” on his 1957 debut album, Ricky.
Perkins was portrayed by Johnny “Kid Memphis” Holiday in the 2005 Johnny Cash biopic Walk the Line.
Perkins was honored with the “Lifetime Achievement” award during the Tennessee Music Awards event in 2018 at the University of Memphis Lambuth in Jackson, Tennessee.
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The following recording by Carl Perkins was inducted into the Grammy Hall of Fame, which is a special Grammy award established in 1973 to honor recordings that are at least 25 years old and that have “qualitative or historical significance”.
|Carl Perkins: Grammy Hall of Fame Awards|
|Year Released||Title||Genre||Label||Year Inducted||Notes|
|1956||“Blue Suede Shoes”||Rock and Roll (single)||Sun Records||1986|
- Dance Album (1957)
- Whole Lotta Shakin’ (1958)
- Country Boy’s Dream (1967)
- On Top (Columbia, 1969)
- My Kind of Country (Mercury, 1973)
- Ol’ Blue Suede’s Back (1978)
- Country Soul (1979)
- Disciple in Blue Suede Shoes (1984)
- Born to Rock (1989)
- Friends, Family & Legends (1992)
- Boppin’ the Blues (1970, with NRBQ)
- The Survivors (1982, with Jerry Lee Lewis, and Johnny Cash)
- Class of ’55 (1986, with Roy Orbison, Jerry Lee Lewis, and Johnny Cash)
- The Million Dollar Quartet (1990, with Elvis Presley, Jerry Lee Lewis, and Johnny Cash)
- 706 Re-Union (1990, with Scotty Moore)
- Carl Perkins & Sons (1993, with his sons Greg and Stan)
- Go Cat Go! (1996, with various guest stars)
- The Carl Perkins Show (1976)
- Live at Austin City Limits (1981)
- The Silver Eagle Cross Country: Carl Perkins Live (1997)
- Live at Gilley’s (1999)
- Live (2000)
- Blue Suede Shoes: A Rockabilly Session (2006)
- Rock ‘N Gospel (1979)
- Cane Creek Glory Church (1979)
- Gospel (1984)
- Carl Perkins’ Greatest Hits (1969, re-recordings)
- Original Golden Hits (1969)
- Mr. Country Rock (Demand, 1977)
- That Rockin’ Guitar Man (1981)
- Presenting Carl Perkins (Accord, 1982)
- Every Road (Joker, 1982)
- Goin’ Back to Memphis (Joker, 1982)
- Boppin’ the New Bleus (1982)
- Born to Boogie (O’Hara Records, 1982)
- This Ole House (1982)
- Presenting (1982)
- The Heart and Soul of Carl Perkins (Allegiance, 1983)
- Carl Perkins (Dot, 1985)
- Original Sun Greatest Hits (1986)
- Up Through the Years 1954–57 (1986)
- Country Boy’s Dream – The Dollie Masters (Bear Family, 1991)
- Take Me Back (1993)
- Back on Top – (Bear Family, 2000; 4 CDs, comprising 1968–1975)
- Judds: Greatest Hits Volume II (1991)
- Philip Claypool: Perfect World (1999)
|1969||Carl Perkins’ Greatest Hits (re-recordings)||32||Columbia|
|Original Golden Hits||43||Sun|
|1973||My Kind of Country||48||Mercury|
|1982||The Survivors Live|
(with Johnny Cash and Jerry Lee Lewis)
|1986||Class of ’55|
(with Jerry Lee Lewis, Roy Orbison and Johnny Cash)
|Year||Single||Peak chart positions||Album|
|US Country||US||CAN Country|
|1956||“Blue Suede Shoes”||1||2||—||Dance Album of … Carl Perkins|
|“Boppin’ the Blues”||7||70||—|
|“Dixie Fried”||10||—||—||Original Golden Hits|
|“I’m Sorry, I’m Not Sorry”||flip||—||—||Blue Suede Shoes|
|1957||“Your True Love”||13||67||—||Dance Album of … Carl Perkins|
|1958||“Pink Pedal Pushers”||17||91||—||The King of Rock|
|1959||“Pointed Toe Shoes”||—||93||—|
|1966||“Country Boy’s Dream”||22||—||—||Country Boy’s Dream|
|1967||“Shine, Shine, Shine”||40||—||—|
|1969||“Restless”||20||—||—||Carl Perkins’ Greatest Hits|
|1971||“Me Without You”||65||—||—||The Man Behind Johnny Cash|
|1972||“High on Love”||60||—||—||Single only|
|1973||“(Let’s Get) Dixiefried” (1973 version)||61||—||—||My Kind of Country|
|1986||“Birth of Rock and Roll”||31||—||44||Class of ’55|
|1987||“Class of ’55”||83||—||—|
|1989||“Charlene”||—||—||74||Born to Rock|
Billboard Year-End performances
|1956||“Blue Suede Shoes”||18|
- Guterman, Jimmy. (1998.) “Carl Perkins”. The Encyclopedia of Country Music. Paul Kingsbury, ed. New York: Oxford University Press. pp. 412–413.
- Naylor, Jerry; Halliday, Steve (2007). The Rockabilly Legends: They Called It Rockabilly Long Before They Called It Rock and Roll. Milwaukee, Wisc.: Hal Leonard. ISBN 978-1-4234-2042-2. OCLC 71812792.
- Pareles, Jon (January 20, 1998). “Carl Perkins Dies at 65; Rockabilly Pioneer Wrote ‘Blue Suede Shoes’“. New York Times. p. B12. Retrieved December 4, 2009.
- Perkins, Carl; McGee, David (1996). Go, Cat, Go!. New York: Hyperion Press. ISBN 0-7868-6073-1. OCLC 32895064..
|Wikimedia Commons has media related to Carl Perkins.|
- The Carl Perkins Story at IMDb
- Carl Perkins biography
- Perkins’s page at the Rockabilly Hall of Fame
- Carl Perkins bio at Rolling Stone
- Carl Perkins Biography at The History of Rock