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Bob’s first foray into electric rock may have alienated his diehard folkie fans, but it changed popular music forever. Those legendary tracks include Subterranean Homesick Blues; She Belongs to Me; Maggie’s Farm , and Love Minus Zero/No Limit, plus Mr. Tambourine Man; It’s Alright, Ma (I’m Only Bleeding) , and It’s All Over Now, Baby Blue .
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“You sound like you’re having a good old time,” a purist Dylan fan is spotted telling the artist in the documentary Don’t Look Back just after the release of this, his first (half-)electric album. He certainly does. Updating Chicago blues forms with hilarious, tough lyrics–in fact, all but stealing the meter of Chuck Berry’s “Too Much Monkey Business” for “Subterranean Homesick Blues”–on one side, dropping some of his most devastating solo acoustic science (“It’s All Over Now, Baby Blue,” “Mr. Tambourine Man”) on the other, the first of Dylan’s two 1965 long-players broke it right down with style, substance, and elegance. –Rickey Wright
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